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Korean Artist Transforms Her Small Studio Into Dreamlike Worlds Without Photoshop

luciejordanna:

Korean artist Jee Young Lee’s beautiful dreamscapes are living proof that you don’t need Photoshop or even a large studio space to create amazing surreal images. She creates all of these scenes by hand in a room that is only 3.6 x 4.1 x 2.4 meters and then inserts herself into the pictures. Some of these self portraits represent her own experiences, dreams and memories, while others represent traditional Korean folk tales and legends.

Source: opiomgallery.com

(Source: demilked.com)

likeafieldmouse:

Zadok Ben-David - Blackfield (2006-9) - Hand-painted steel and sand
“Blackfield is a space-specific floor installation containing steel etched flowers deriving from 19th-century Victorian encyclopedias. The work reflects over notions such as perception and perspective, and in its delicate modesty the installation brings up powerful questions regarding life and death.”
Zoom Info
likeafieldmouse:

Zadok Ben-David - Blackfield (2006-9) - Hand-painted steel and sand
“Blackfield is a space-specific floor installation containing steel etched flowers deriving from 19th-century Victorian encyclopedias. The work reflects over notions such as perception and perspective, and in its delicate modesty the installation brings up powerful questions regarding life and death.”
Zoom Info
likeafieldmouse:

Zadok Ben-David - Blackfield (2006-9) - Hand-painted steel and sand
“Blackfield is a space-specific floor installation containing steel etched flowers deriving from 19th-century Victorian encyclopedias. The work reflects over notions such as perception and perspective, and in its delicate modesty the installation brings up powerful questions regarding life and death.”
Zoom Info

likeafieldmouse:

Zadok Ben-David - Blackfield (2006-9) - Hand-painted steel and sand

Blackfield is a space-specific floor installation containing steel etched flowers deriving from 19th-century Victorian encyclopedias. The work reflects over notions such as perception and perspective, and in its delicate modesty the installation brings up powerful questions regarding life and death.”

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